After about a week and a half, the paint was completely cured. I moved onto the next step, stitching the arrow pocket.
Instead of glue, I kept the arrow pocket in place this time with staples. This is a bit destructive, but easier than using a period glue, and ancient people could easily have achieved the same thing with pins.
The pocket is attached to the back with 40-weight waxed linen thread using a simple double running stitch and pulling out the staples as I went. Its long edges are brought together slightly to give the pocket the fullness needed to accommodate arrows, particularly the large, blunt rubber arrowheads we use during combat reenactment. This means some ugly crimping on the short edge. I tried to distribute the slack evenly during the stapling process, but it wound up a little uneven.
The lower edges of the body panels are carefully lined up and stapled first at both ends, then in the middle, then equidistant between these three and so on. I wound up using nine staples in this manner; given the length of the edge, they seemed to be the right distance apart. Note that some of the linseed oil seems to have soaked into the leather. Time will tell if this is going to be a problem. The paint doesn't scratch or rub off easily, so I think the paint itself will hold. Whether the oil will have a negative effect on the leather is another question.
I'd meant to stitch the lower edge completely flat, but it seemed to develop slack as I moved from the upper end to the lower and I wound up puckering the seam a bit to shorten it (pulling the thread diagonally downward from the seam a little to pull the stitches closer together). This appeared to work.
On the whole, I'm satisfied with how this project has gone so far. The next step (creating a curved spine that won't break too easily) is going to be a major challenge.
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