Showing posts with label peltasts. Show all posts
Showing posts with label peltasts. Show all posts

Tuesday, March 7, 2023

Making a round pelta from a wicker charger

For Plataea 2022 I found myself without as many shields as I wanted to bring, so at the last minute I threw one of these together.  I don't know that this specific pattern is approved of by any formal reenacting group; it's difficult to document round peltai, although I am assured that they existed, and willow would be a more authentic material.  The difference in materials may affect the appearance:  This type of coiled weave is most commonly made of rattan because its growth pattern results in very long pieces of even thickness, whereas willow wicker is more often a  90-degree over and under weave, or has the warp sticks radiating outward from the middle.  Several pieces of admittedly vague period art suggest the over-and-under weave.  The advantage of using a premade round wicker charger is that it's a very quick and easy build.

My forearm measures 14 inches or 35.6cm with my fist closed, so the largest size that this style of platter was made in, around 16 inches/40.6cm, is just barely large enough to make a shield that gives a little bit of overhang.  If your forearms are any larger, this project may not be for you.

Materials:
-  16-inch rattan charger for the shield core
I got my first one from Pier 1 Imports several years ago; they no longer carry them, but similar ones can be obtained from other sellers or on eBay.  Make sure it is real rattan, since not only are some made from artificial rattan, but many sellers also use a shotgun approach to labeling and add "rattan" to listings for platters that are really made of straw, seagrass, corn husks or other flimsy materials, on the assumption that they're interchangeable for most uses and someone looking for one will be satisfied with another.  Additionally, some are made from a mixture of materials, such as rattan coiling held together with seagrass; this is, again, fine if you're just using it as a platter, but not so much for a shield.
-  Leather for the facing
The leather should be light- to midweight (about 2-5oz.); it should be soft but have minimal stretch.  Rawhide may or may not be the most authentic material (certainly I would prefer it over a planked base), but as a wrapped facing it's tricky to work with.  I'm instead using a smoke-colored bison split, which I originally ordered from Crazy Crow for my bowcase last year but which turned out to be on backorder and arrived later — I wouldn't have liked the lack of elasticity for that purpose, but here it seems preferable, as it'll remain more-or-less taut on the shield instead of sagging with time.  The piece you use should be at least 18-19 inches (45.7-48.3cm) in every direction and free of holes (or you can patch up any holes).
-  Material for the knuckle pad and grip wrap
I'm using German buckskin scraps for this purpose, but I imagine chamois in multiple layers or on top of felt, wool roving, etc. would also work.  Soft felt might also be sufficient all on its own.
-  Leather bands for the grips
Like the facing, these shouldn't be elastic; you don't want the grips to loosen with use (although I could conceive of various lacing systems to use if they do).  The current suede bands sold by Michael's are stiffer than they used to be and just barely adequate; luckily I have some leftover pieces of the older, more pliable kind.  You'll need upwards of two feet/61cm.
-  Stitching materials
You could probably get by with just a three- or five-ply linen cord, but I'm using several different materials of different thicknesses because I have them on hand and it seems to work better that way.  These include buttonweight linen thread for the grip wrap and knuckle pad, three- and five-ply cord for attaching the grips and pad to the shield core, and hemp twine for the facing.  The twine should be the soft type.  I happened to have some leftover from making my new bowcase which I'd already run over a block of beeswax, making it firmer and less prone to fraying.  I do the same with the fil au chinois thread, although it's supposed to be lightly waxed already.  Unpaid plug:  I very much prefer Crazy Crow linen cord over the kind sold at craft stores; it's much stronger, which is important in this project.
-  A heavy sewing needle, large sharp scissors, pliers, an awl, leather punch and pen; also a needle file and a pair of nail scissors.  The permanent marker shown here didn't wind up coming into play this time.

A flat shield with no boss cutout will always result in some part of your hand and possibly arm rubbing against the shield's back.  In tests I found that the long muscles on the back of the forearm provided a kind of padding on their own (it helps that I normally wear long sleeves), but for the wrist and knuckles, with their bones just below the skin, the chafing was very unpleasant.  Therefore a small pad of soft material is helpful.  If your skin is sensitive (and especially if you're wearing a short-sleeved or sleeveless tunic) or your forearm is on the bony side, then a longer strip of leather or even a long pad may be necessary.

Since the knuckle pad is attached first, you might as well make it first.  I made mine about 5 inches long and 3.5 inches wide across the middle (12.7x8.9cm), slightly tapering in width.  There are two outer layers and two smaller inner layers to fill it out, around a quarter inch smaller all around, i.e. half an inch (12.7mm) narrower and shorter.

Only the outer layers need to be stitched; either a running or whip stitch will work.  

The pad is stitched to the core by its four corners, with the wide end about an inch from the edge and the small end pointing toward the middle of the shield.  On the first corner I used five-ply linen cord, but this was difficult to get through the pad without enlarging the stitch holes.  Since the pad is never really subjected to stresses that could result in it being pulled loose, I switched to three-ply cord for the remaining corners.

Getting the needle between the canes without breaking the thin connecting strips is tricky and I frequently had to peer through it at a light bulb to figure out a clear path, poke a pin through to see where the needle should be coming out on the other side, then use pliers to yank the needle through.  This is also where the Crazy Crow linen cord shines, as a poorer-quality cord is more likely to fray and break when subjected to this stress (which happened repeatedly when I was making the one I took to Plataea).

The grip is about a 7.5-inch (19cm) suede band with a tube of German buckskin whipstitched around it.  I don't have any evidence about how these grips were made, but this design is much more comfortable than a flat leather band with nothing covering it.  The stitch holes are all punched ahead of time.

Then the thread spirals through the holes.

When it's time to double back, even if you can't find the exit hole with the needle, the German buckskin is soft enough that as long as you find approximately the right spot, you can punch through with the needle itself.

Finally, knot the thread, then run it over and under the stitches a couple times to keep it safely tucked away.

I had instructions prepared about how to find and mark where the bands should be stitched, but with this dark stained wicker, it would be barely if at all visible.  That's why the permanent marker you see in the materials layout is going by the wayside.  Instead, since the last shield's grip and arm bands fit me well, I just copied the layout from there.  For me this wound up with the inner ends of the bands being three inches from the middle and four inches apart, and the outer ends being six inches from the middle and four and a half inches apart.  If your arms are of different proportions, then of course you'll need a different fit.

Check the length of the grip.  It should hold your hand firmly against the knuckle pad (so it should be stitched right up against the edges, preventing your hand from sliding down onto the bare wicker) but not pinch your hand uncomfortably.

Because the bands, unlike the knuckle pad, are placed under stress that could bust the stitching, I'm used the full five-ply linen cord to attach them.  The holes all had to be enlarged with a needle file.  The smallest setting of the leather punch might also work.

Put the facing leather, "wrong" (flesh or stringy/unevenly-finished) side up, on a flat surface and put the shield core on it.

I initially planned on adding an inch and a half to wrap around.  I later revised this to one inch, but if you lace the facing on instead of stitching it, a wider margin may be preferable to ensure that the facing can never be peeled off without undoing or cutting the lacing first.

I chose to lace rather than stitch for expediency's sake because this leather is very tough and the wicker is very tight, but I suspect stitching may be more authentic, as peltai in art usually have a line just inside the edge suggesting either stitching or an added rim.  I also suspect stitching would keep the facing tighter against the shield.


The margin can be easily marked by first measuring and adding a series of dashes and then connecting them.

Next, mark segments along the circle separated by narrow triangles that point about an inch (2.5cm) toward the middle.  I'm antsy and decided to be formulaic about it, but the exact width of the segments and triangles isn't important.  In this case I wound up with 40 segments of mostly an inch on the outer edges (except the last couple, which were narrower), separated by triangles of about 3/8 inch wide and 5/8 inch long.  This leaves plenty of room for two holes in each tab.

The hemp twine is the thickest stitching material, so I punched small holes with the leather punch rather than the awl (which would require tediously enlarging them with a larger awl or the needle file).  The punch doesn't fully remove the plugs of leather; I pushed them out with the needle file and then cut off each one with the nail scissors.

Cut out the triangles.  You're now ready for the final step; this is the last chance to decide whether to stitch or lace.

Since I'm lacing, all that needs to be done is run the cord under the middle of each tab and on top of the edges.  This will help hold the corners down.

With the twine well-waxed, it can be tightened through multiple holes at once by just pulling on one end, which will cause the tabs to pull up and around the edge of the charger.

Pull the twine as tight as possible all around while smoothing the facing onto the back to make sure it's taut.  It won't be perfect, and will bag slightly when you hold the shield face-down, but do the best you can.

Begin to tie the twine while continuing to tighten it.  Knot the twine under the tabs for a tidy appearance.

Once everything is as tight as possible, knot the twine a few more times.

The knot's trailing ends can now be tucked under the tabs.

At this point the shield is technically finished.  You can paint it however you like or leave it plain.  On suede leather, oil paint (with perhaps a little beeswax to keep it from becoming brittle) adheres well enough, though it needs to be rubbed in.  It will take a long time to cure, however.  The one you see here was painted in the days before Plataea 2022 and required fast-drying acrylic to be ready on time.

The shield weighs next to nothing.  Together with its small size and thin grip, it leaves your left arm almost as free as if you weren't carrying one at all.  This does come at a cost, though:  A shield like this needs to be actively used to intercept and deflect.  I think it's safe to say that taking the full shock of repeated heavy blows will break it apart in no time.

Tuesday, October 8, 2013

Peoples of the empire: The Thracians

This is the final entry in the "Peoples of the empire" series.

Geographical definition
Thrace (Gk. Thrāikē, probably O.P. Skudra) was located in the eastern Balkans, covering most of southern Bulgaria from the Black Sea coast inward, the northeastern corner of modern Greece and European Turkey (that part of the country north of the Sea of Marmara and its strait).  Thracians were also to be found in Macedonia and other parts of the Balkans, Anatolia and as far east as western Scythia.

History
According to Leo Klejn, the Thracians originated with the multi-cordoned ware culture at the turn of the second millennium BC, which was pushed west from its native Ukraine by the expanding timber grave culture (widely believed to be proto-Scythian).

Settling west of the Black Sea, the Thracians remained divided into several tribes in Herodotus' day.  Like the Celts in western Europe, they lived mostly in small fortified villages.  Towns such as Byzantium were mainly the domain of Greek colonists in the Archaic period.  The Thracians did, however, become very widespread; Herodotus thought them the largest nation in the world second to the Indians, but weak because of their disunity.

In or about 513, Darius the Great sent his general Megabazus to conquer Thrace.  What happened on the expedition is not described in detail, but Herodotus says that Megabazus passed from place to place and conquered each tribe in turn.

The Persian hold over the area appears to have been weak.  In 492, during his punitive expedition against the Greeks following the Ionian Revolt, Mardonius was attacked by Bryges (a tribe of Thrace thought to be related to the Phrygians) while camped in Macedon.

Thracians called Bithynians, who dwelt just on the Anatolian side of the Bosporus, marched as infantry in Xerxes' invasion of Greece under Bassaces son of Artabanus.  These were part of the satrapy of Phrygia.  Some of them were retained by Mardonius for his reduced force, and may have fought at Plataea.

Herodotus reports that Thracians north of Greece carried off the sacred chariot Xerxes had left in the city of Siris when he was marching forth.  The king of the Bisaltae tribe refused to ally himself with the great king, and when his six sons followed the Persians regardless and then came home, their father had them blinded.  Some of Mardonius' men who survived Plataea were also killed by European Thracians as Artabazus led them toward Byzantium.

Herodotus described the Thracians as having similar customs, "save the Getae, the Trausi, and those who dwell above the Crestonaeans."  The Getae (he says) believed that they did not die, but were called as messengers to their god Salmoxis or Gebeleïzis.  Every five years, a man would be chosen by lot to be killed as a messenger; he would be given whatever prayers the Getae wished to convey, then thrown into the air over three lances.  If he did not die, they judged him an unfit messenger and chose again.

The Trausi believed that to live was to suffer, and lamented births like other peoples lamented deaths (which honestly makes me think of a kind of evil eye superstition), but when a person died, the funeral celebrated their release from suffering.  "Those who dwell above the Crestonaeans" were polygynists whose widows competed for the honor of being the one to be slain and buried with her husband.

Other Thracian tribes, the historian reports, would make lamentation and sacrifice at funerals, then cremate the dead or bury them in mounds, holding funeral games afterward.  They sold their children; husbands bought wives for a bride price and strictly coveted them, but unmarried women's chastity was not considered important.  Tattooing was an honor restricted to nobles, and warriors were held in the highest regard, farmers in the lowest.

Teres I (r. 460-445) and his son Sitalces (r. 431-424), of the Odrysae, united the tribes of the European Thracians in the mid-fifth century.  Although this union was unstable and the Odrysian rulers' political power far from absolute, they were regarded by foreigners as the kings of Thrace.  In 429, Sitalces allied with Athens and invaded Macedon, though had to retreat late in the year because of logistical problems.  This was the beginning of a complex political and military interplay between Thrace, Athens and Macedon lasting into the reign of Philip II.

The Odrysian kings adopted much Greek culture, including clothing and weapons, and used the Greek language for administration.  The kingdom reached its zenith in the first few decades; at the turn of the fourth century it broke into eastern, central and western dominions.  During the revolt of Ariobarzanes in or around 366, Cotys I took the opportunity to invade the Thracian Chersonese (modern Gallipoli), which was then held by Athens.  Cotys conquered the peninsula by 359, and concluded an alliance with Philip II of Macedon, but was murdered the following year by two students of Plato.  In 357 the Athenians retook the Chersonese.

Cotys' kingdom was divided between his son Cersobleptes in the east and two other princes, Berisades in the west and Amadocus II in central Thrace; these may have also been sons of Cotys.  Cersobleptes' Greek mercenary Charidemus was able to negotiate some kind of concession from Athens (the nature of which is uncertain but seems to have related to the Chersonese) which resulted in the breaking of Thrace's alliance with Macedon.

In 352, Berisades died and was succeeded by his son Cetriporis.  Cersobleptes tried to disinherit him, but the Thracians also had to deal with Macedonian incursions that year, when Philip took a son of Cersobleptes hostage.  In 347 Philip forced all the Thracian kings to acknowledge Macedonian suzerainty.  The next year, Philip seems to have returned to fight Cersobleptes, who nonetheless resumed attacks on Greek cities on the Hellespont afterward.  Philip invaded Thrace yet again in 343 to bring Cersobleptes to terms.  In the late 340s, Philip finally managed to reduce European Thrace to a tributary of Macedon.

Upon Philip's assassination in 336, the Triballi tribe allied with the Illyrians and rebelled against the Macedonians, at the same time as many other subjects.  Alexander fought and defeated the Triballi in the Balkan Mountains the next year, then crossed the Danube and skirmished with the Getae.  Thereafter the other Thracian tribes submitted to Alexander.

The Bithynians, meanwhile, seem to have set themselves up as an independent state under King Bas (r. 376-326) late in the Achaemenid period.  After the Granicus and Alexander's appointment of his general Calas as satrap of Hellespontine Phrygia, Calas tried to conquer Bithynia but failed.

Thracians presumably of Europe took part in Alexander's expedition into Asia, fighting as cavalry at Gaugamela in 331.  That year, Seuthes III became king of Thrace.  Following the death of Zopyrion, Seuthes declared independence in 325.  His rebellion was put down by Antipater, but he rebelled again in 323 after Thrace was given to Lysimachus in the Partition of Babylon.  In 320, he founded the new capital Seuthopolis (modern Kazanluk in central Bulgaria).  When Lysimachus came into conflict with Antigonus during the Wars of the Diadochi, Seuthes allied himself with Antigonus, but was again defeated in 313.  The Odrysian kingship continued thereafter under the suzerainty various Hellenistic kingdoms and then under the Romans until the death of Rhoemetalces III in AD 46.  As Rhoemetalces apparently had no heirs, Thrace was thereafter made a Roman province.  As such, the region became culturally Romanized; the Thracian language is believed to have become extinct by the fifth century AD.

Bithynia remained independent during the Hellenistic period, and Bas' grandson Nicomedes founded its new capital at Nicomedia, where it would last until the Pontians drove Nicomedes IV out in 90 BC.  He was restored to his throne by the Romans six years later and Bithynia became effectively a Roman client state, which Nicomedes officially bequeathed to Rome on his death in 74.  All the royals of Bithynia toward the end have Greek names and it seems likely that Bithynia became linguistically Hellenized during this time.

Language
Too little of Thracian from the Classical period and earlier has been preserved to hope to speak it with any fluency.  The surviving corpus consists of some names, a handful of words from Greek texts, and only four, very short inscriptions.  It was clearly Indo-European but its classification is not certain.  It's usually placed along with Dacian (which some linguists regard as a branch of Thracian) in the Daco-Thracian branch.  Daco-Thracian may be part of a larger Thraco-Illyrian branch, or Thracian and Illyrian may form a Sprachbund.

Religion
Thracians were polytheists.  Among their chief gods was Sabazios, apparently the same deity worshipped by the Phrygians.  The artistic representation of Sabazios and similar-looking gods is called the "Thracian horseman," and seems to have been adopted in later centuries to represent Saint George.  The war goddess Cotys was widely celebrated at the Cotyttia festival, which involved going into the hills at night and getting drunk.  A cult of Cotys existed in Athens, where she was identified with Persephone.  Other recorded Thracian deities included Zibelthiurdos, whom the Greeks also identified with Zeus due to his association with lightning, and Bendis, a huntress identified with Artemis.  The Greek deities Semele and Dionysus may also have had Thracian roots.

The Getae worshipped a god called Salmoxis or Zalmoxis, whom Herodotus says was a deified human who had taught that humans do not die, but pass to a land of eternal happiness.  He also claims that the Getae believed in no god other than Salmoxis.  These statements have been the subject of much interest among researchers who have interpreted it to mean that Getae were monotheists and "proto-Christians" whose native beliefs facilitated a transition to Christianity.

Clothing
Thracians wore belted, sleeveless or short-sleeved tunics, cloaks, laced boots and pointed tiaras.  The bold embroidery of Thracian cloaks (which in some illustrations appear kidney-shaped rather than square) is well-illustrated in Greek pottery.  According to Herodotus, their boots were deerskin and their hats were fox skin, though I would consider felt acceptable for the latter.

The boots were of a surprisingly modern laced design and could come up to the mid-calf, with downturned, dagged tops.  I've seen some reenactors use Minnetonka knee-high boots.  In times past these had the same crepe sole as the little ankle-high's I bought in 2011, but their website now seems to show them with a different design that hopefully will prove more durable.  They're also stitched up on the sides and seem less likely to admit sand, though this comes at the expense of a moc-style toe which is not correct for Thracian impressions.  Also they're made of the same suede as the ankle boots, which will pick up dust quickly if you use them on the beach.  Nonetheless, these are probably the best non-custom option out there.

The "Skudra" at Naqš-e Rostam wears a Scythian coat.  I can think of a number of explanations for this, but I think artwork has been consistent enough elsewhere that it's best to stick to simple tunics.

Weapons
The best-known Thracian weapon is the javelin, which seems to have used a spearhead of size and shape comparable to a thrusting spear, but on a shorter, thinner shaft.  Some also had longer spears, so reenacting as a Thracian doesn't limit you to a missile troop role.

Thracians used a distinctive short sword or large knife similar to a smaller version of a falcata.  In Hellenistic times it came to be known as a sica, and later Roman "Thraex" gladiators were armed with a weapon based on it which resembled a crooked gladius.  According to Xenophon, Thynians (apparently cousins of the Bithynians) carried clubs, which he claimed were intended to knock the heads off spears. 

The famous Thracian shield was the pelta, which was made in both round and crescent shapes, the latter of which was apparently very similar to the crescent shields of West and Central Asia.  Conventional wisdom nowadays is that they were made of sticks woven vertically through a sheet of leather or rawhide, like the Persian rectangular shields and smaller Scythian ones, but militating against this is the fact that in Greek art they are frequently shown with designs on the front which would work best if the front were a smooth, solid surface.  I have seen a few people put forth that wood plank construction would have been common in heavily forested areas like Thrace, while the stick-and-hide construction would more likely prevail in the grassy steppes (ex.:  the Pazyryk finds and Solokha comb) even if the shape were the same.

Several grip systems for the pelta are shown in Greek art:  Most commonly, a handgrip near the rim was combined with some kind of central arm grip, either similar in shape to a porpax or simply a pair of crossed bands.  There are other instances where two non-crossed central bands are used as the grips, pinched together in one hand, like the grips of a sipar or dhal.  In a few cases it appears that a single central grip was used, but this system gives less stability than the double grips.

The famous Thracian infantry called peltasts carried the pelta shield and a spear or several javelins.  Peltasts were versatile; their javelineers were missile troops, but due to their shields, both spear- and javelin-armed peltasts had an advantage in melee over missile troops who had no shields, while still being more mobile than hoplites in phalanx.

Osprey writer Christopher Webber claims that Thracians in the fourth century started wearing helmets.  They were apparently of the Phrygian type, with attached cheek guards giving them a fleeting resemblance to a Chalcidian helmet, but also having a tall curled peak similar to Thracian and Phrygian tiaras.